To that, I point to the end credits for his on-set personal hairstylist and chef. PS: Much has been made of DiCaprio’s dedication to the realism of this film and the difficulties he withstood during nine months of shooting it. If only they could have got him to direct this.
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The Revenant is awash with Herzog’s perception of the natural world’s indifference (at best) to man. The bear scene made me think of Grizzly Man, Werner Herzog’s unforgettable documentary about a reckless California dude who moves to Alaska to live with bears, one of whom attacked and ate him. As Glass’s primary betrayer, Tom Hardy speaks most of his dialogue in a mumbled growl that might be authentic, but I’ll trade authenticity for comprehensibility any day. (Though he can hardly top Birdman in that respect, you can’t help but marvel at many of the shots he and Lubezki accomplish.)īut it’s not much more than good-looking, certainly not enough to make it worth the endurance test that it is. It’s all quite gorgeous to look at, for the beauty of the natural landscapes, cinematographer Emmanuel Lubezki’s skill in framing them, and Iñárritu’s ability to make it all look so seamless. Smith) piles on subplots involving French trappers, an Arikara tribe searching for their chief’s kidnapped daughter, and other characters who are dispatched with a heedless indifference that you seldom see outside of Game of Thrones. Yet despite what some might see as the excessive attention to the details of Glass’s struggle, the long-in-development script (the final version is credited to Iñárritu and Mark L.
![watch the revenant grizzly bear scene watch the revenant grizzly bear scene](https://media.globalnews.ca/videostatic/362/639/SUN_GN_BEAR_REVENENT_270216_848x480_632819267514.jpg)
This certainly seems like sufficient material for an adventure movie-it was when it was filmed in 1971 as Man in the Wilderness, with Richard Harris. Despite being left with no shelter or supplies, he survived to hunt them down. The Revenant (a medieval term for a revived dead man) is based on the true story of frontiersman Hugh Glass, who in 1823 was abandoned by his comrades after he was attacked by a grizzly bear. Especially when the story is as haphazard as it is here. You start paying more attention to wondering how it was done than to the story. So is a scene of a dead horse being disemboweled.īut there’s a limit to the value of this kind of thing. So is a scene of wolves separating a bison from its herd and slaughtering it. How was it done? I suppose if I looked around enough on the internet I might find out, but I hate taking the mystery out of movies that way. (It’s a female bear.) Still, that’s about the only horrible thing the bear doesn’t do to him in a lengthy sequence of mauling, clawing, and tossing around, all unmarked by any visible edits.
![watch the revenant grizzly bear scene watch the revenant grizzly bear scene](https://media.npr.org/assets/img/2015/12/24/the-revenant-df-14050r_rgb_wide-d924e1387f2e4905653c15dcc5214d4be269e3a0.jpg)
#Watch the revenant grizzly bear scene movie
In retrospect, I’m abashed to admit that the version I had heard was that the movie shows Leonardo DiCaprio getting raped by a bear. (Another reason: At 156 minutes, it’s only a few minutes shorter than Quentin Tarantino’s The Hateful Eight, another Western with which it has much in common, most of which can be boiled down to “Don’t take Grandma to see it.”) The Bear was the reason I wasn’t particularly looking forward to seeing the new film by Alejandro González Iñárritu, his first since the Oscar-winning Birdman.
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If you’ve heard nothing else about The Revenant, you’ve probably heard about the Bear.
#Watch the revenant grizzly bear scene skin
It’s never a good sign when a movie starts with the words “I know you want this to be over.” Especially when it’s a movie that comes to you encased in a skin of pre-release publicity and chatter that generally proclaims, “We dare you to watch this movie.”